Art. Technology. Diversity

Was great to be at the awards ceremony for the 15th WRO Media Art Biennale last night. Some incredibly beautiful work on display here in Wroclaw, Poland. Australia’s own Lucas Abela was featured heavily in the media and the program-his Vinyl Rally Arcade is slowly taking over the world by the looks of things.

From the WRO Website:

The WRO Biennale and 50 Years of Electronic Art

The WRO International Media Art Biennale is the major forum for new media art in Poland, and one of the leading international contemporary art events in Europe. Since its inception in 1989, WRO has been presenting art forms created using new media for artistic expression and communication.

The array of exhibitions and presentations that make up every WRO Biennale feature a wide variety of genres and forms, including video art, installations, multimedia concerts and performances, interactive works, net and social-media projects.

I am lucky enough to be the Creative Producer of a great new media arts program presented by ISEA2013 in partnership with Darwin Community Arts this June called The Portals.

The Portals is a curated program of five telematic artworks linking the two cities of Darwin and Sydney. The project connects these two communities in realtime through networked and interactive artworks which require the physics of high speed broadband.

The media art work in The Portals includes Live Art, visual art, sound art, e-literature, interactive performance, augmented and virtual reality, social media art and community engagement.

The works include:

  1. Distributed Empire - Justin Clemens (VIC), Christopher Dodds (VIC) and Adam Nash (VIC)
  2. Enquire Within Upon Everybody  - Andrew Burrell (NSW) and Chris Rodley (NSW)
  3. Is Starlight a Wifi Signal?- Nancy Mauro-Flude (TAS), Nick Smithies (TAS), Crystal Thomas (NT) and DCA-Frontline Media (NT)
  4. Metaverse Makeovers (LIVE) - Thea Baumann (VIC/Shanghai), Ben Ferns (VIC), Shian Law (VIC)
  5. Shadow Net  - Jimmy McGilchrist (SA/NSW) and Matt Ditton (VIC)

The Portals Producing Crew:

Ricardo Peach – The Portals Creative Producer
Kathryn Gray – The Portals Northern Territory Producer
Bong Ramillo – Executive Officer, Darwin Community Arts

Follow #ThePortals on Twitter

www.facebook.com/ThePortalsProject on Facebook 

The Portals has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body, as part of the Broadband Arts Initiative.

Scoping some sites in Darwin for a new project. Getting very excited. All to be revealed soon…

I am delighted to be part of the curatorium for the @SITUATEart Art in Festivals initiative in beautiful Tasmania this year. Early career artists have until midnight Monday 8 April 2013 to put in an application. So go for it folks! And please share this call-out.

SITUATE Art in Festivals is presenting an exciting opportunity for Early Career Artists and creative practitioners to participate in an intensive interdisciplinary residency to push boundaries, take creative risks and develop ideas for artworks that respond to a variety of festival sites and audiences.

SITUATE Arts Lab will take place over 15 days from 21 June – 5 July 2013 at Salamanca Arts Centre in Hobart alongside the new Dark MOFO festival. It will also involve an intensive design studio held at the Far South Wilderness Lodge on Tasmania’s south-eastern tip.

Up to 15 Artists from across Australia will participate in the Lab, facilitated by up to 10 leading national and international artists and curators (provocateurs) supported by specialist production staff. The opportunity is open to creative practitioners working in the visual arts, design, architecture, fashion, digital media, installation, community arts, live art, performance and other creative pursuits.’

Source: situate.org.au

Cementa13 - Australia

A celebration of contemporary art set within the rural industrial history of Kandos NSW

I had the great privilege of working with the Cementa13 crew on their wonderful festival in rural NSW from 1-4 February 2013. An amazing and dedicated group of artists, participants and organisers. One of the highlights of my art life to date. Some of the twitter activity for #cementa13 can be found on this Storify 

Interview with UNESCO Bangkok

Dr. Ricardo Peach, an independent cultural consultant and previous Acting Director of the Inter-Arts Office at the Australia Council for the Arts, recently visited UNESCO Bangkok for an annual meeting for the Arts Education Network of Observatories in Thailand. He talked about culturally diverse art, art projects that help hospital patients manage their pain, and experimental art in Australia.

By Kanit Teerathumaskul, UNESCO Bangkok

Source: unescobkk.org

Anish Kapoor, Museum of Contemporary Art, 2013

‘1000 Names’, 1979-81

‘My Red Homeland’, 2003

‘Sky Mirror’, 2006

‘Memory’, 2008

‘C-Curve’, 2007

Source: mca.com.au

My visit to UNESCO Bangkok and talking at the Australian Embassy, November 2012. Had a brilliant time attending the Arts Education Observatories meeting, presenting to UNESCO staff on experimental art and technology in Australia and also to Thai guests at the Australian Embassy on the Australia Council for the Arts and cultural exchange opportunities in the Asia-Pacific. Thank you Ambassador James Wise, Amelia,  Piyarat, Tim, Vanessa, Julia and Aaron for your wonderful hospitality.

Source: unescobkk.org

Image Credit: Opal Valour at Salamanca Arts Centre 2011. Courtesy Kultour
UNESCO and Australia Council look at art in Asia-Pacific
From the floor of the 5th World Summit on Arts and Culture we call on IFACCA members and all governments to: Commit to activating and implementing the spirit and principles of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expression (2005) and deliver on its objectives by making it central to national, state and local cultural policies.[1]
On 9 October 2012 the Australia Council and United Nations Educational, Scientific and Cultural Organisation (UNESCO) signed a Memorandum of Understanding (MOU) to assist each other in promoting and implementing the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expression. The MOU aims to achieve this through international collaboration, research and promotion of the diversity of cultural expression in the Asia-Pacific.
The impetus for the MOU comes from recommendations at the 5th World Summit on Arts and Culture held in Melbourne in 2011, where over 500 delegates from 70 countries requested that governments activate and implement the ‘spirit and principles’ of the 2005 UNESCO Convention.
This week the Hon Simon Crean MP, Minister for the Arts, announced the MOU and confirmed the goverment’s committment to the 2005 UNESCO Convention, stating that ‘Australia is proud to be a signatory to an international agreement that seeks to ensure artists and citizens worldwide can create, produce, disseminate and enjoy a broad range of cultural goods, services and activities’.
Noting that the partnership agreement compliments the cultural exchange objectives of the recently released Australia in the Asian Century White Paper Mr Crean said ‘The MOU will build on strong cultural links that already exist with our Asia-Pacific neighbours by supporting new international collaborations between artists, partnerships and research’.
‘I applaud the Australia Council on this highly significant agreement,’ Mr Crean said.

Image Credit: Opal Valour at Salamanca Arts Centre 2011. Courtesy Kultour

UNESCO and Australia Council look at art in Asia-Pacific

From the floor of the 5th World Summit on Arts and Culture we call on IFACCA members and all governments to: Commit to activating and implementing the spirit and principles of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expression (2005) and deliver on its objectives by making it central to national, state and local cultural policies.[1]

On 9 October 2012 the Australia Council and United Nations Educational, Scientific and Cultural Organisation (UNESCO) signed a Memorandum of Understanding (MOU) to assist each other in promoting and implementing the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expression. The MOU aims to achieve this through international collaboration, research and promotion of the diversity of cultural expression in the Asia-Pacific.

The impetus for the MOU comes from recommendations at the 5th World Summit on Arts and Culture held in Melbourne in 2011, where over 500 delegates from 70 countries requested that governments activate and implement the ‘spirit and principles’ of the 2005 UNESCO Convention.

This week the Hon Simon Crean MP, Minister for the Arts, announced the MOU and confirmed the goverment’s committment to the 2005 UNESCO Convention, stating that ‘Australia is proud to be a signatory to an international agreement that seeks to ensure artists and citizens worldwide can create, produce, disseminate and enjoy a broad range of cultural goods, services and activities’.

Noting that the partnership agreement compliments the cultural exchange objectives of the recently released Australia in the Asian Century White Paper Mr Crean said ‘The MOU will build on strong cultural links that already exist with our Asia-Pacific neighbours by supporting new international collaborations between artists, partnerships and research’.

‘I applaud the Australia Council on this highly significant agreement,’ Mr Crean said.

Source: artery.australiacouncil.gov.au

Star Wars Storm Trooper at Sydney’s Central Station. Made my day :)

Star Wars Storm Trooper at Sydney’s Central Station. Made my day :)

leslieseuffert:

Movement

Swimming in a glowing, underwater sea of jellyfish would be a really beautiful experience. But, with limited access to the deep sea, this interactive installation by artist Takahiro Matsuo could be considered a backup to that kind of actual encounter. The dark blue room, a reminder of the oceanic abyss, is a seamlessly flowing design in which viewers can appreciate the beauty of these fascinating creatures without having to actually run the risk of a jellyfish sting.

The Japanese artist worked in collaboration with architect Akihisa Hirata to define this unique, 3D spatial experience where exploration through light, projections, architecture, and human interactions is strongly encouraged. As visitors approach the walls, move around, and walk away, the number and frequency of jellyfish increases and decreases. The organic forms and the glowing palette of blues create a surreal, underwater world where playful movements and interactions with architectural space result in an unspoken communication between artist and participant. One reviewer states, “Thanks to the specific architecture of the space, it is an unexpected experience similar to swimming amongst a coral reef.”

(via floresenelatico)

Source: leslieseuffert

Image: Lucas Abela, Vinyl Rally Arcade, 2010. Photo courtesy the artist
My most recent article on ‘Art and Games’, based on a presentation I gave at the Australian Centre for the Moving Image in Melbourne as part of the Game Masters exhibition in June 2012.
ART AND GAMES MAKE A KILLER COMBINATION. SOME OF THE MOST EXCITING EXPERIMENTAL ARTWORKS CREATED IN AUSTRALIA IN RECENT YEARS ARE DEEPLY EMBEDDED IN GAMING CULTURE. GIVEN THAT THE NEW GENERATION OF ART LOVERS GREW UP WITH GAMES AS A SIGNIFICANT COMPONENT OF THEIR LIVES, IT’S NO WONDER THERE IS SUCH A STRONG DESIRE AND SUPPORT FOR INTERACTIVE, PARTICIPATORY CULTURE…
Art and Games

Art and Games

Source: realtimearts.net

Digital Forum
10:00 am - 05:00 pm
September 29, 2012


Searching for a New Media Festival
TiNA is a great example of the high level of creative convergence we encounter these days atwhen we attend any good arts festival. What we see is spontaneous adoption of multiple digital platforms within all the artforms and an explosion of experimentation and boundary breaking. At the same time what possible models are there for contemporary cultural festival where risk taking and creating opportunities for new creative forms runs up hard against the logic of the box office and sticking to simple marketing formula?  It’s complicated but something needs to change.
Speakers
RICARDO PEACHActing Director of Inter-Arts Australia Council.
CARA ANN SIMPSONCreative Co-producer Electrofringe, sound artist  collaborates with engineers, technology experts, artists, scientists.
GORDON WHITEHEADChief Executive Officer at The Lunaticks Society and mover and shaker for Digital Newcastle.
Photo courtesy Carli Leimbach

Digital Forum

10:00 am - 05:00 pm

September 29, 2012

Searching for a New Media Festival

TiNA is a great example of the high level of creative convergence we encounter these days atwhen we attend any good arts festival. What we see is spontaneous adoption of multiple digital platforms within all the artforms and an explosion of experimentation and boundary breaking. At the same time what possible models are there for contemporary cultural festival where risk taking and creating opportunities for new creative forms runs up hard against the logic of the box office and sticking to simple marketing formula?  It’s complicated but something needs to change.

Speakers

RICARDO PEACH
Acting Director of Inter-Arts Australia Council.

CARA ANN SIMPSON
Creative Co-producer Electrofringe, sound artist  collaborates with engineers, technology experts, artists, scientists.

GORDON WHITEHEAD
Chief Executive Officer at The Lunaticks Society and mover and shaker for Digital Newcastle.

Photo courtesy Carli Leimbach

Source: thisisnotart.floktu.com

Newcastle, Australia for This  Is Not Art Festival 2012

Newcastle, Australia for This Is Not Art Festival 2012

justjosiehicks:

ehahlil:

Are you with the BANNED?

ALWAYS.

(via wish-mak3r)

Source: ehahlil